C1 Reading Part 6: Preliminaries
Official Candidate Information & Logistics 📝
Let's talk about Art and Society! 🎨
What we will learn today:
- How to identify a "Genetic Predisposition" vs. "Social Learning".
- Strategies to find the 'Odd One Out' among four authors.
- Solving Question 39 from the 2022 exam.
- 20 Phrasal Verbs and 20 Collocations for C1 level.
Part 6: Cross-text Multiple Matching 📖
You must read four short texts (A, B, C, D) and answer 4 questions. You need to find which author shares or disagrees with another author's opinion.
Case Study: The Arts in Society
Academic C (Heather Charlton): "...humanity has a natural aesthetic sense which is biologically determined."
Question: Who has a different view on whether the arts are genetic? (A vs C) 🔍
Common Traps to Avoid 🚩
Your Winning Strategy 🛡️
Walkthrough: Question 39 🛠️
Who has a different opinion to the others on whether the human species has a genetic predisposition towards the arts?
Writer B: "...innate in every human being." (YES, genetic) ✅
Writer C: "...biologically determined." (YES, genetic) ✅
Writer D: "...instinctive human need." (YES, genetic) ✅
Writer A: "I remain sceptical of claims... [of an] inherent inclination." (NO/Sceptical) ❌
(Lana Esslett is the only one who doubts the genetic nature of art.)
C1 Part 6: Comprehensive Language Guide 🧠
Deepen your understanding of comparative structures and advanced vocabulary.
1. The Language of Comparative Analysis
In Part 6, you must identify if authors A, B, C, or D share the same perspective. Look for these "Linkers of Opinion":
| Agreement / Shared Views | Disagreement / Different Views |
|---|---|
| • Echoes the sentiment of... • Is of the same mind as... • Mirrors the argument put forward by... • Corroborates the findings of... | • Takes issue with the notion that... • Is at odds with the others regarding... • Departs from the consensus on... • Challenges the underlying assumption... |
2. Advanced Grammar: Speculation & Stance
| Structure | Why it matters in Part 6 | Example |
|---|---|---|
| MODALS OF DEDUCTION | Used to show how certain the author is about a claim. | "The evidence might suggest a link..." (Hedged/Uncertain) vs "It must be the case..." (Certain) |
| SUBJUNCTIVE / HYPOTHETICAL | Used to criticize a current situation or propose an ideal. | "It is essential that the arts be funded..." / "Were it not for the arts, society would..." |
| ADVERBIALS OF ATTITUDE | Signals the author's bias immediately. | "Arguably," (I think so) / "Supposedly," (I doubt it) / "Undeniably," (Everyone agrees). |
3. Expanded Phrasal Verbs (Topic: Society & Change)
| Phrasal Verb | 3 Contextual Examples |
|---|---|
| Bring about (To cause change) |
|
| Hold up (To remain valid) |
|
| Set out (To aim/start a task) |
|
4. Expanded Collocations (Academic Register)
| Collocation | 3 Contextual Examples |
|---|---|
| Bear in mind (To consider) |
|
| Vastly overrated (Too much credit) |
|
| Pose a threat (To be dangerous) |
|
The C1 Vocabulary Arsenal 📚
Top 20 Phrasal Verbs (C1 Level)
| Verb | Definition | Exam-Style Example |
|---|---|---|
| Bring about | Cause to happen | The reform brought about major changes. |
| Carry out | Perform/Execute | They carried out the research carefully. |
| Come up with | Suggest an idea | He came up with a brilliant theory. |
| Cut down on | Reduce amount | We must cut down on spending. |
| Fall through | Fail to happen | The plan fell through at the last minute. |
| Get away with | Avoid punishment | He won't get away with lying. |
| Get round to | Find time for | I finally got round to fixing the car. |
| Make up for | Compensate | Hard work makes up for lack of talent. |
| Put up with | Tolerate | I can't put up with this noise. |
| Run out of | Have none left | We have run out of time. |
| Take over | Assume control | The company was taken over by a giant. |
| Turn out | Result/Develop | It turned out to be a success. |
| Back down | Withdraw claim | Neither side would back down. |
| Call off | Cancel | The meeting was called off. |
| Look into | Investigate | The police are looking into the matter. |
| Wear off | Fade away | The pain began to wear off. |
| Look down on | Despise | He looks down on people who don't read. |
| Give in | Surrender | They eventually gave in to the demands. |
| Set out | Start with a goal | They set out to change the law. |
| Hold up | Delay/Remain strong | The theory doesn't hold up under scrutiny. |
Top 20 Collocations (C1 Level)
| Collocation | Meaning | Exam-Style Example |
|---|---|---|
| Fully aware | Completely knowing | I am fully aware of the situation. |
| Vastly improved | Much better | The service is vastly improved now. |
| Widely accepted | Believed by many | It's a widely accepted truth. |
| Highly likely | Very probable | It is highly likely to rain. |
| Painfully slow | Extremely slow | The process was painfully slow. |
| Deeply concerned | Very worried | We are deeply concerned about the budget. |
| Strictly forbidden | Not allowed | Smoking is strictly forbidden here. |
| Broad daylight | Visible/Daytime | It happened in broad daylight. |
| Flatly refuse | Firmly say no | He flatly refused to help. |
| Readily available | Easy to get | Water is readily available. |
| Make a living | Earn money | He makes a living as a musician. |
| Bear in mind | Remember | Bear in mind the time limit. |
| Catch a glimpse | See briefly | I caught a glimpse of the actor. |
| Keep an eye on | Watch carefully | Keep an eye on the kids. |
| Pose a threat | Be dangerous | Pollution poses a threat to health. |
| Reach a conclusion | Decide | We reached a conclusion after the debate. |
| Take advantage of | Use opportunity | Take advantage of the sale. |
| Pay a visit | Visit someone | You should pay a visit to the gallery. |
| Lose one's temper | Get angry | Don't lose your temper over this. |
| Bitingly cold | Very cold | The wind was bitingly cold. |
You're a Part 6 Expert! 🌟
Marking Reminder: Each question is worth 2 marks. These 8 marks are vital for reaching your C1 goal!
The Safety Net: Never leave a blank answer. Cambridge doesn't take points away for mistakes. If you are stuck, follow your instinct!
"I'm so proud of the focus you've shown today. The Arts might be a complex topic, but you've shown you can navigate academic opinions like a professional. Keep practicing, and I'll see you in the next lesson!" 💛
This activity is based on the official Cambridge C1 Advanced Sample Paper 2 (2022) – Reading and Use of English: Part 6.
¡Hora de hacer ejercicios! Explora con los botones los distintos grupos.
Part 6: The Contribution of the Arts to Society
The Contribution of the Arts to Society
Seth North (B): Without a doubt, the arts are at the very centre of society and innate in every human being. My personal, though admittedly controversial, belief is that the benefits to both individuals and society of studying science and technology, in preference to arts subjects, are vastly overrated. It must be said, however, that despite the claims frequently made for the civilising power of the arts, to my mind the obvious question arises: Why are people who are undeniably intolerant and selfish still capable of enjoying poetry or appreciating good music? For me, a more convincing argument in favour of the arts concerns their economic value. Needless to say, discovering how much the arts contribute to society in this way involves gathering a vast amount of data and then evaluating how much this affects the economy as a whole, which is by no means straightforward.
Heather Charlton (C): It goes without saying that end-products of artistic endeavour can be seen as commodities which can be traded and exported, and so add to the wealth of individuals and societies. While this is undeniably a substantial argument in favour of the arts, we should not lose sight of those equally fundamental contributions they make which cannot be easily translated into measurable social and economic value. Anthropologists have never found a society without the arts in one form or another. They have concluded, and I have no reason not to concur, that humanity has a natural aesthetic sense which is biologically determined. It is by the exercise of this sense that we create works of art which symbolise social meanings and over time pass on values which help to give the community its sense of identity, and which contribute enormously to its self-respect.
Mike Konecki (D): Studies have long linked involvement in the arts to increased complexity of thinking and greater self-esteem. Nobody today, and rightly so in my view, would challenge the huge importance of maths and science as core disciplines. Nevertheless, sole emphasis on these in preference to the arts fails to promote the integrated left/right-brain thinking in students that the future increasingly demands, and on which a healthy economy now undoubtedly relies. More significantly, I believe that in an age of dull uniformity, the arts enable each person to express his or her uniqueness. Yet while these benefits are enormous, we participate in the arts because of an instinctive human need for inspiration, delight, joy. The arts are an enlightening and humanising force, encouraging us to come together with people whose beliefs and lives may be different from our own. They encourage us to listen and to celebrate what connects us, instead of retreating behind what drives us apart.
1. Which academic has a different view from North regarding the effect of the arts on behaviour towards others?
Part 6: The Role of Public Libraries
The Role of Public Libraries
Prof. Bell (B): Public libraries represent the last truly democratic bastions in our increasingly fragmented and privatized cities. Beyond being simple repositories for printed matter, they function as vital sanctuaries providing essential high-speed internet access and digital literacy training to the most disadvantaged sectors of society. To suggest they are obsolete is to ignore the widening digital divide that threatens to leave millions behind; for many marginalized groups, the library is the only credible gateway to the modern economy and government services. Their role as a social equalizer is not a mere romantic notion but a pragmatic requirement for maintaining a cohesive, inclusive, and informed citizenry. To dismantle these spaces would be to accelerate the creation of a social chasm between the "information rich" and the "information poor.
Dr. Chen (C): While I acknowledge the social value highlighted by proponents like Bell, we must be careful not to overstate the library's actual efficacy as a tool for social redistribution or equality. Empirical data suggests that even in metropolitan areas with robust and well-funded library systems, a significant majority of the population across all demographics prefers private digital consumption over the use of public facilities. The digital divide is a multifaceted socioeconomic issue—rooted in education and income—that a few computer terminals in a public hall cannot hope to rectify in any meaningful way. Furthermore, the argument that libraries are irreplaceable as study spaces ignores the rise of co-working environments and digital communities that offer far more dynamic and collaborative interactions than the traditional "shushed" atmosphere of a reading room.
Prof. Davis (D): There is a profound cognitive dimension to the physical library that digital advocates and fiscal critics fail to grasp. The unique environment of a traditional library—characterized by its enforced quietude and total lack of digital distractions—fosters a type of deep, sustained focus that is increasingly rare in our hyper-connected, notification-driven world. Current research in neuro-reading suggests that information retained from physical books is processed with greater linear depth than information skimmed on screens, which are designed for fragmented and rapid consumption. While digital archives are undeniably a valuable supplement for quick reference, they can never replicate the irreplaceably tactile and immersive experience of a physical collection. Preserving these spaces is essential for the protection of serious intellectual development and scholarly rigor.
1. Which academic has a different view from Aris regarding the continued relevance of physical library buildings?
Part 6 Practice: AI in Creative Literature
AI and the Future of Authorship
Prof. Rossi (B): We are currently witnessing a paradigm shift in authorship that mirrors the introduction of photography to the world of fine arts. Just as the camera did not 'kill' painting but pushed it toward new forms of expression, AI will democratize storytelling by providing a bridge for those with profound ideas but perhaps less formal linguistic training. The fear that AI lacks 'soul' is a romantic fallacy; the soul of a work resides in the human who prompts, curates, and refines the output. By offloading the mechanical aspects of drafting to an intelligent system, the writer is liberated to focus on higher-level conceptual architecture and thematic depth.
Dr. Gupta (C): While proponents like Rossi argue that AI is merely a neutral tool, we cannot ignore the subtle but pervasive homogenization of language that occurs when we rely on predictive text. AI models are trained on existing data, meaning they are inherently conservative; they prioritize the most probable word sequences, which leads to a smoothing out of the linguistic 'rough edges' that define a great writer's unique voice. The risk is not that AI will replace writers, but that writers will start to sound like AI—mimicking the polished, middle-of-the-road style that algorithms favor. Furthermore, the argument that AI enhances conceptual creativity is debatable. True innovation often comes from breaking patterns, not following them.
Prof. Keller (D): The future of literature undoubtedly lies in the hybridity of human and machine intelligence, yet we must remain vigilant about the psychological impact of this transition. For many writers, the solitary act of struggling with a blank page is where the most profound self-discovery occurs. By shortcutting this process, we risk losing the cognitive 'friction' that leads to authentic emotional depth. While I agree with Vance that an algorithm lacks lived experience, I believe Rossi is correct in suggesting that the definition of 'authorship' must evolve. However, this evolution should not be a complete surrender to efficiency. The real challenge will be maintaining our linguistic diversity in the face of models that naturally gravitate toward the average.
1. Which academic has a different view from Rossi regarding the impact of AI on the democratization of writing?