C1 Reading Part 6: Preliminaries

Official Candidate Information & Logistics 📝

⏱️ Total Exam Time 90 minutes for the whole Reading & Use of English paper.
🔢 Part 6 Questions Questions 37–40 (4 comparative questions).
💎 Scoring 2 marks per correct answer. Total for this part: 8 marks.
✍️ Formats Paper-based (Pencil) vs. Digital (Screen-based).
💡 Key Strategy: Part 6 tests "Cross-text matching". You aren't just reading; you are comparing perspectives between four different academics.

Let's talk about Art and Society! 🎨

"Hello! I'm so happy to guide you through Part 6 today. We're going to dive into a fascinating debate: Do the arts really matter to society? Is our love for music and painting genetic or learned? Don't be intimidated by the academic language; once you learn to 'track' opinions, this part becomes a logic game. Let's master it together!" 😊

What we will learn today:

  • How to identify a "Genetic Predisposition" vs. "Social Learning".
  • Strategies to find the 'Odd One Out' among four authors.
  • Solving Question 39 from the 2022 exam.
  • 20 Phrasal Verbs and 20 Collocations for C1 level.

Part 6: Cross-text Multiple Matching 📖

You must read four short texts (A, B, C, D) and answer 4 questions. You need to find which author shares or disagrees with another author's opinion.

Case Study: The Arts in Society

Academic A (Lana Esslett): "I remain sceptical of claims that humanity’s love of the arts reflects some inherent inclination..."

Academic C (Heather Charlton): "...humanity has a natural aesthetic sense which is biologically determined."

Question: Who has a different view on whether the arts are genetic? (A vs C) 🔍

You are going to read extracts from articles in which four academics discuss the contribution the arts (music, painting, literature, etc.) make to society. For questions 37 – 40, choose from the academics A – D. The academics may be chosen more than once.

Mark your answers on the separate answer sheet.

The Contribution of the Arts to Society 

A. Lana Esslett

The arts matter because they link society to its past, a people to its inherited store of ideas, images and words; yet the arts challenge those links in order to find ways of exploring new paths and ventures. I remain sceptical of claims that humanity’s love of the arts somehow reflects some inherent inclination, fundamental to the human race. However, exposure to and study of the arts does strengthen the individual and fosters independence in the face of the pressures of the mass, the characterless, the undifferentiated. And just as the sciences support the technology sector, the arts stimulate the growth of a creative sector in the economy. Yet, true as this is, it seems to me to miss the point. The value of the arts is not to be defined as if they were just another economic lever to be pulled. The arts can fail every measurable objective set by economists, yet retain their intrinsic value to humanity.

B. Seth North

Without a doubt, the arts are at the very centre of society and innate in every human being. My personal, though admittedly controversial, belief is that the benefits to both individuals and society of studying science and technology, in preference to arts subjects, are vastly overrated. It must be said, however, that despite the claims frequently made for the civilising power of the arts, to my mind the obvious question arises: Why are people who are undeniably intolerant and selfish still capable of enjoying poetry or appreciating good music? For me, a more convincing argument in favour of the arts concerns their economic value. Needless to say, discovering how much the arts contribute to society in this way involves gathering a vast amount of data and then evaluating how much this affects the economy as a whole, which is by no means straightforward.

C. Heather Charlton

It goes without saying that end-products of artistic endeavour can be seen as commodities which can be traded and exported, and so add to the wealth of individuals and societies. While this is undeniably a substantial argument in favour of the arts, we should not lose sight of those equally fundamental contributions they make which cannot be easily translated into measurable social and economic value. Anthropologists have never found a society without the arts in one form or another. They have concluded, and I have no reason not to concur, that humanity has a natural aesthetic sense which is biologically determined. It is by the exercise of this sense that we create works of art which symbolise social meanings and over time pass on values which help to give the community its sense of identity, and which contribute enormously to its self-respect.

D. Mike Konecki

Studies have long linked involvement in the arts to increased complexity of thinking and greater self-esteem. Nobody today, and rightly so in my view, would challenge the huge importance of maths and science as core disciplines. Nevertheless, sole emphasis on these in preference to the arts fails to promote the integrated left/right-brain thinking in students that the future increasingly demands, and on which a healthy economy now undoubtedly relies. More significantly, I believe that in an age of dull uniformity, the arts enable each person to express his or her uniqueness. Yet while these benefits are enormous, we participate in the arts because of an instinctive human need for inspiration, delight, joy. The arts are an enlightening and humanising force, encouraging us to come together with people whose beliefs and lives may be different from our own. They encourage us to listen and to celebrate what connects us, instead of retreating behind what drives us apart.

Which academic

37. has a different view from North regarding the effect of the arts on behaviour towards others?

38. has a different view from Konecki on the value of studying the arts compared to other academic subjects?

39. expresses a different opinion to the others on whether the human species has a genetic predisposition towards the arts?

40. expresses a similar view to Esslett on how the arts relate to demands to conform?

Common Traps to Avoid 🚩

"Surface Matching": Selecting Author B just because they use the same word as the question, without checking if the opinion is the same.
Losing the Thread: Forgetting that the question might ask for a different view. Always double-check if you are looking for a "Match" or an "Odd One Out".
Over-reading: Trying to understand every single word. You only need to understand the stance (attitude) of the writer towards the prompt.
Poor Time Management: Many students spend too long reading the text from start to finish. You need to scan.

Your Winning Strategy 🛡️

Step 1: Analyze the Prompt. Underline the key topic in the question (e.g., "economic value" or "genetic predisposition").
Step 2: Vertical Scanning. Look through all 4 texts ONLY for that topic. Mark each author as (+) Positive, (-) Negative, or (?) Sceptical.
Step 3: Compare Labels. Look for the pair that matches or the one that stands alone.
Step 4: Confirm with Evidence. Re-read the two specific sentences to ensure the nuance is correct.

Walkthrough: Question 39 🛠️

Who has a different opinion to the others on whether the human species has a genetic predisposition towards the arts?

Writer B: "...innate in every human being." (YES, genetic) ✅

Writer C: "...biologically determined." (YES, genetic) ✅

Writer D: "...instinctive human need." (YES, genetic) ✅

Writer A: "I remain sceptical of claims... [of an] inherent inclination." (NO/Sceptical) ❌

Correct Answer: A
(Lana Esslett is the only one who doubts the genetic nature of art.)

C1 Part 6: Comprehensive Language Guide 🧠

Deepen your understanding of comparative structures and advanced vocabulary.

1. The Language of Comparative Analysis

In Part 6, you must identify if authors A, B, C, or D share the same perspective. Look for these "Linkers of Opinion":

Agreement / Shared ViewsDisagreement / Different Views
Echoes the sentiment of...
• Is of the same mind as...
Mirrors the argument put forward by...
Corroborates the findings of...
Takes issue with the notion that...
• Is at odds with the others regarding...
Departs from the consensus on...
Challenges the underlying assumption...

2. Advanced Grammar: Speculation & Stance

StructureWhy it matters in Part 6Example
MODALS OF DEDUCTIONUsed to show how certain the author is about a claim."The evidence might suggest a link..." (Hedged/Uncertain) vs "It must be the case..." (Certain)
SUBJUNCTIVE / HYPOTHETICALUsed to criticize a current situation or propose an ideal."It is essential that the arts be funded..." / "Were it not for the arts, society would..."
ADVERBIALS OF ATTITUDESignals the author's bias immediately."Arguably," (I think so) / "Supposedly," (I doubt it) / "Undeniably," (Everyone agrees).

3. Expanded Phrasal Verbs (Topic: Society & Change)

Phrasal Verb3 Contextual Examples
Bring about
(To cause change)
  • 1. The arts can bring about a sense of unity.
  • 2. We must bring about reforms in funding.
  • 3. Technology has brought about a shift in perception.
Hold up
(To remain valid)
  • 1. His theory doesn't hold up under scrutiny.
  • 2. The argument holds up if you check the data.
  • 3. Traditional values still hold up in rural areas.
Set out
(To aim/start a task)
  • 1. She set out to prove the arts are genetic.
  • 2. The paper sets out the main objectives.
  • 3. They set out on a journey of artistic discovery.

4. Expanded Collocations (Academic Register)

Collocation3 Contextual Examples
Bear in mind
(To consider)
  • 1. Bear in mind that art is subjective.
  • 2. We must bear in mind the historical context.
  • 3. One should bear in mind the economic costs.
Vastly overrated
(Too much credit)
  • 1. The benefits of science are sometimes vastly overrated.
  • 2. This artist's influence is, in my view, vastly overrated.
  • 3. The civilising power of the arts can be vastly overrated.
Pose a threat
(To be dangerous)
  • 1. Uniformity poses a threat to creativity.
  • 2. Lack of funding poses a threat to the local gallery.
  • 3. These ideas pose a threat to the established order.
💡 Master Tip: In the exam text "The Contribution of the Arts to Society", look for terms like "Economic Lever" (something that helps the economy) and "Dull Uniformity" (everyone being the same). Authors use these metaphors to build their stance!

The C1 Vocabulary Arsenal 📚

Top 20 Phrasal Verbs (C1 Level)

VerbDefinitionExam-Style Example
Bring aboutCause to happenThe reform brought about major changes.
Carry outPerform/ExecuteThey carried out the research carefully.
Come up withSuggest an ideaHe came up with a brilliant theory.
Cut down onReduce amountWe must cut down on spending.
Fall throughFail to happenThe plan fell through at the last minute.
Get away withAvoid punishmentHe won't get away with lying.
Get round toFind time forI finally got round to fixing the car.
Make up forCompensateHard work makes up for lack of talent.
Put up withTolerateI can't put up with this noise.
Run out ofHave none leftWe have run out of time.
Take overAssume controlThe company was taken over by a giant.
Turn outResult/DevelopIt turned out to be a success.
Back downWithdraw claimNeither side would back down.
Call offCancelThe meeting was called off.
Look intoInvestigateThe police are looking into the matter.
Wear offFade awayThe pain began to wear off.
Look down onDespiseHe looks down on people who don't read.
Give inSurrenderThey eventually gave in to the demands.
Set outStart with a goalThey set out to change the law.
Hold upDelay/Remain strongThe theory doesn't hold up under scrutiny.

Top 20 Collocations (C1 Level)

CollocationMeaningExam-Style Example
Fully awareCompletely knowingI am fully aware of the situation.
Vastly improvedMuch betterThe service is vastly improved now.
Widely acceptedBelieved by manyIt's a widely accepted truth.
Highly likelyVery probableIt is highly likely to rain.
Painfully slowExtremely slowThe process was painfully slow.
Deeply concernedVery worriedWe are deeply concerned about the budget.
Strictly forbiddenNot allowedSmoking is strictly forbidden here.
Broad daylightVisible/DaytimeIt happened in broad daylight.
Flatly refuseFirmly say noHe flatly refused to help.
Readily availableEasy to getWater is readily available.
Make a livingEarn moneyHe makes a living as a musician.
Bear in mindRememberBear in mind the time limit.
Catch a glimpseSee brieflyI caught a glimpse of the actor.
Keep an eye onWatch carefullyKeep an eye on the kids.
Pose a threatBe dangerousPollution poses a threat to health.
Reach a conclusionDecideWe reached a conclusion after the debate.
Take advantage ofUse opportunityTake advantage of the sale.
Pay a visitVisit someoneYou should pay a visit to the gallery.
Lose one's temperGet angryDon't lose your temper over this.
Bitingly coldVery coldThe wind was bitingly cold.

You're a Part 6 Expert! 🌟

Marking Reminder: Each question is worth 2 marks. These 8 marks are vital for reaching your C1 goal!

The Safety Net: Never leave a blank answer. Cambridge doesn't take points away for mistakes. If you are stuck, follow your instinct!

"I'm so proud of the focus you've shown today. The Arts might be a complex topic, but you've shown you can navigate academic opinions like a professional. Keep practicing, and I'll see you in the next lesson!" 💛

This activity is based on the official Cambridge C1 Advanced Sample Paper 2 (2022) – Reading and Use of English: Part 6.

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¡Hora de hacer ejercicios! Explora con los botones los distintos grupos.

Part 6: The Contribution of the Arts to Society

Pregunta 1:

The Contribution of the Arts to Society


Lana Esslett (A): The arts matter because they link society to its past, a people to its inherited store of ideas, images and words; yet the arts challenge those links in order to find ways of exploring new paths and ventures. I remain sceptical of claims that humanity’s love of the arts somehow reflects some inherent inclination, fundamental to the human race. However, exposure to and study of the arts does strengthen the individual and fosters independence in the face of the pressures of the mass, the characterless, the undifferentiated. And just as the sciences support the technology sector, the arts stimulate the growth of a creative sector in the economy. Yet, true as this is, it seems to me to miss the point. The value of the arts is not to be defined as if they were just another economic lever to be pulled. The arts can fail every measurable objective set by economists, yet retain their intrinsic value to humanity.

Seth North (B): Without a doubt, the arts are at the very centre of society and innate in every human being. My personal, though admittedly controversial, belief is that the benefits to both individuals and society of studying science and technology, in preference to arts subjects, are vastly overrated. It must be said, however, that despite the claims frequently made for the civilising power of the arts, to my mind the obvious question arises: Why are people who are undeniably intolerant and selfish still capable of enjoying poetry or appreciating good music? For me, a more convincing argument in favour of the arts concerns their economic value. Needless to say, discovering how much the arts contribute to society in this way involves gathering a vast amount of data and then evaluating how much this affects the economy as a whole, which is by no means straightforward.

Heather Charlton (C): It goes without saying that end-products of artistic endeavour can be seen as commodities which can be traded and exported, and so add to the wealth of individuals and societies. While this is undeniably a substantial argument in favour of the arts, we should not lose sight of those equally fundamental contributions they make which cannot be easily translated into measurable social and economic value. Anthropologists have never found a society without the arts in one form or another. They have concluded, and I have no reason not to concur, that humanity has a natural aesthetic sense which is biologically determined. It is by the exercise of this sense that we create works of art which symbolise social meanings and over time pass on values which help to give the community its sense of identity, and which contribute enormously to its self-respect.

Mike Konecki (D): Studies have long linked involvement in the arts to increased complexity of thinking and greater self-esteem. Nobody today, and rightly so in my view, would challenge the huge importance of maths and science as core disciplines. Nevertheless, sole emphasis on these in preference to the arts fails to promote the integrated left/right-brain thinking in students that the future increasingly demands, and on which a healthy economy now undoubtedly relies. More significantly, I believe that in an age of dull uniformity, the arts enable each person to express his or her uniqueness. Yet while these benefits are enormous, we participate in the arts because of an instinctive human need for inspiration, delight, joy. The arts are an enlightening and humanising force, encouraging us to come together with people whose beliefs and lives may be different from our own. They encourage us to listen and to celebrate what connects us, instead of retreating behind what drives us apart.

1. Which academic has a different view from North regarding the effect of the arts on behaviour towards others?
Pregunta 2: 2. Which academic has a different view from Konecki on the value of studying the arts compared to other academic subjects?
Pregunta 3: 3. Which academic expresses a different opinion to the others on whether the human species has a genetic predisposition towards the arts?
Pregunta 4: 4. Which academic expresses a similar view to Esslett on how the arts relate to demands to conform?
Pregunta 5: 5. Which academic shares a similar view to North regarding the difficulty of quantifying the economic impact of the arts?
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Cambridge C1 Advanced Exam: Mastering RUE Part 6

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